JAMIE McINTYRE: Well, the difference is the sort of one-off reporter doesn’t need to worry about whether he’s going to get future access or not, whereas the beat reporters, like when I was at CNN, I needed access; I needed to be able to get to the key people to find out what was going on when bombs were dropping or things were happening.
And the way you do that is you forego reporting all of the sort of off-color jokes or informal banter that goes on when you follow these guys around, focus on the big picture, and they begin to trust you. As a result, when you need to know what’s going on, you get access.
If you do what Michael Hastings does, they’re never going to talk to him again. Of course, he — he doesn’t care. The fallout from that though is that they may also not talk to a lot of other reporters, as well.
BOB GARFIELD: Not reporting the off-color jokes, the intemperate comments and so forth, you call that the dirty little secret of beat reporting.
JAMIE McINTYRE: You know, it implies this sort of overly cozy relationship. These military officials that we’re following around, they’re not our friends. We’re frenemies, we’re not friends. You know, one thing we’ve learned from this whole episode is that military officers cannot tell you what they’re really thinking without being in peril of losing their jobs.
So the dirty little secret is yeah, we sort of informally agree not to report a lot of things that we see and hear, some of it for legitimate security reasons, and some of it because it could just be embarrassing. And the tradeoff is we get a continued relationship with these people and we can get information.
And by the way, it is information that we can still hold them accountable for, it’s just that we sort of cover them.